I just thought she would just say things that maybe a lot of judges or attorneys or whatever would not say. ( A flourish in the music-synthesized horns, perhaps?-signals the end of the music. “Feel”! The law doesn’t give a rat’s ass how you feel. Judge Judy: I don’t care what you believe. Peter: And she runs her courtroom with this speed and energy and, like, a no-bullshit attitude that is just incredibly compelling to watch. Judge Judy: Listen to me you say no, I say yes. Judge Judy: ( In a strained voice, as she slams the gavel down three times. Peter: The premise of the show is that people who have filed lawsuits in small-claims court-they come on the show, and they have their disputes adjudicated by this former New York City family-court judge named Judy Sheindlin. Judge Judy: I want to tell you both that I’ve read your sworn depositions. It feels almost mysterious, a little serious. ( A curious melody plinks out through a tinny synthesizer, undergirded by a plunky, bouncy bass line. It gave me opportunities to share the message that I had as a mother through Judge Judy. And I can’t watch it without thinking about you. Victoria: I think that I could never watch it again without thinking of you. And I just picture my mom and I sitting on the couch and watching the show together. And it’s gotten to the point now where if I am in a hotel room and I turn on the TV and Judge Judy is on, it’s like I-it’s like I can smell the leather of my parents’ sofa. Peter: My mom started letting me watch Judge Judy when I was, like, 12 or 13. Peter: How long have you been watching Judge Judy for? Voice-over: (In a high-drama voice, low and serious and emphatic.) You are about to enter the courtroom of Judge Judith Sheindlin. 5” is a high-intensity remix, updated with a drum line and punchier, staccato notes. ( This version of Beethoven’s “Symphony No. Peter Bresnan: When I was growing up, my mom and I used to spend hours and hours sitting in our living room, watching this one particular TV show-one of the most famous and influential court shows ever made. Longoria: We’re kicking things off this week with producer Peter Bresnan and his mom, Victoria. 5.” As the main line of the melody ends, the TV switches off to silence. Through the electric hum and static, a piano solemnly plays the melody of Beethoven’s “Symphony No. Julia Longoria: A quick note: There will be some swearing in this one.
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